Berlinische Galerie seeks to portray Berlin’s art history in new and surprising ways with room for every genre and style. This sometimes reveals unexpected threads in the fabric, and international networking by the art community is part of that weave. Berlin is a city of artists, and here you can truly sense it. The museum show sthe classics, but also responds quickly to the latest trends in contemporary art. The programme is undogmatic, thought-provoking and sometimes controversial – but then so is Berlin. The instituion offers an interdisciplinary collection that includes painting and sculpture, prints and drawings, photography and architecture, all dating from 1870 until the present day. This makes Berlinische Galerie fundamentally different from other exhibition venues in the German capital.
Till the end of May, you could enjoy here the fascinating, temporary exhibition entitled “Images in Fashion – Clothing in Art“. Fashion and art are mirrors of social changes and individual needs, and in the collection of the Berlinische Galerie, this theme is present in surprising and diverse ways. In addition to numerous fashion photographs spanning the 20th century (from Helmut Newton to Ute Mahler), just as many paintings and drawings testify to the role of fashion as a means of expression and representation of a particular era: from the reform dress around 1900 and the Dada dandies of the 1920s to avant-garde clothing designs in contemporary art. You can read more about this exhibition here!
Until the end of August, there’s also the Nina Canell exhibition going on. Her artistic practice does not revolve around the finished artwork; instead, it foregrounds process, synergy and entanglement. For the Berlinische Galerie, she has conceived an experiential installation that considers the material vitality of calcite. Literally crumbling under our own weight, seven tonnes of shells speak up from the ground, causing a sensation remote from that of walking on a gallery floor. Yet, crushed calcite from marine molluscs is an essential ingredient in concrete, a major constituent of our built environment. Here, the biomineral forms that feed the construction industry break down over the course of the exhibition. Material stress gives way to a sounding, durational sculpture, inviting us to consider the ineffable number of broken bodies that hold us up. This exhibition brings together several of Canell’s sculptural works and a video created with long-term collaborator Robin Watkins. Considering the overlaps between minerals, animals, energies and technologies, “Tectonic Tender” reflects the artist’s commitment to duration and circulation as fundamental sculptural tools.
Alte Jakobstraße 124-128 / Berlin
Photos by Edward Kanarecki