As we’re approaching 2025, everybody seems to look backwards at the last quarter of the century in fashion. But let’s also take a look at the future. Paolo Carzana, the London-based designer, makes one feel very hopeful about. The über-talented designer, a finalist for this year’s LVMH Prize, uses plants and natural pigments like burnt umber to dye his crafty, gender-fluid garments. Carzana’s signature is the raggedy, lived-in look of his garments that makes men and women look as if teleported from another century. There’s also that hazy, misty, as if seen through a broken lens, lyrical silhouette of his clothes: the pinstripes on a pair of men’s trousers look blurred, the Caravaggio-esque drapes of the dresses seem to be shaped by gushes of unexpected wind. The gauzy layering and the buttonless, zip-free poetry of Carzana’s work makes him a truly, truly unique creative who doesn’t obey the industry norms of production scaling or aggressive marketing. No other contemporary designer sees beauty and strength the way he does.
Collage by Edward Kanarecki.
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