A few days ago, I discovered this delightful autumn-winter 1989 Alaïa collection, and it’s unbelievable how timeless all those Monsieur Azzedine’s designs are. Actually, they even get better with age. The colours (especially all the shades of curcuma!), the cuts, the softness of wools and cashmeres used in this line-up, the body-conscious eveningwear, which looks both seductive and comfortable… it’s all so good. And of course, it was presented on the rue de Moussy – the live & work space Azzedine Alaïa built in the Marais district of Paris that would become a welcoming mecca to models and clients. What’s interesting, it was unfinished when the designer presented his winter 1989 show a month after the regular season ended (Alaïa famously presented on his own schedule, when he felt finished, and not according to a calendar date). According to The Los Angeles Times, the glass-roofed space was leaky, dampening the models as they paraded in a collection that underlined some of the tropes the designer had staked out as his own: sculpted leathers and clingy second-skin knits. The flowing bias-cut dresses in shimmering metallics definitely looked even more spectacular as they were slightly wet. Below are some of my favourite looks from this highly underrated collection.
Collage by Edward Kanarecki.