A century after it’s launch, Ferragamo, the brand, has dropped the Salvatore from its name but nonetheless is looking at Hollywood just as its founder once did – in the hope of expansion, improvement, and scope. Following his quite promising debut in Milan in September, Maximilian Davis presented this first pre-fall collection for the brand in its headquarters there. He said: “There’s an image of LA and Hollywood where you kind of pan away from the city and you see the mountains, so you see the contrast of the mountains with the palm trees. So there was this idea of mixing hot and cold.” There was also the idea of insinuating Western dress into Davis’s Ferragamo mix, literally inspired by Salvatore’s work designing and making the footwear for 1923 silent movie The Covered Wagon. This translated into boots, of course, as well as some handsome denim pieces, some with a flocked, velvet finish which were occasionally translated into reproductions in dyed rib jersey. Davis further ruggedized his cleaner, minimal spring template with shaggy shearlings. Checks were used on viscose cady in scarf-dresses and shirting; along with the pleated minis these pieces were playing to audience demand. His eye for jewel-like embellishments and patches of minimal space landed this season upon polished metal or leather buckles, leather patches on leather skirting, as well as a fearsome gold handbag strap. Several stories from that debut season enjoyed sequel outings here, including the nylon casual outerwear looks and others accented in the fiery red which this designer is working to corral for the house. Eel skin was used to fashion sleek, overtly sensual pieces with a hint of kink that softly squeaked with movement. Davis said that building a VIP clientele, as Salvatore once did, is a key part of his strategy at Ferragamo.
Collage by Edward Kanarecki.
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