Just after reviewing Koché, Y / Project is the next clear prove that Paris looks forward to labels found by new-gen talents, and those who made the cut in the LVMH Prize Awards. Ideas proposed by Glenn Martens blur between the terms feminine and masculine, but also, reflect on the generations’ love for Scream Queens pastel-pink trashiness, Cher’s good, old looks and this neo-goth, neo-grunge mood (which appears repeatedly this season). To an extend, the collection reminds me of Vetements, with its focus on denim (here, it’s all about the slouchy, elongated length of pants as seen above) and a kind of anti-fashion attitude. But you can’t compare Glenn Martens’ label to the fashion collective lead by Demna Gvasalia – the philosophies of these two brands are totally different, just like the approach. At Y / Project, drama plays a role – bishop sleeves worn loosely with pencil skirts; sheer robes with ruff-like collars ooze with ethereal elegance, but with a modern-day twist. The list of must-haves keeps adding up, and curiosity of what’s to come at Y / Project makes me wonder.