Cecil Beaton. Erdem AW20

Erdem’s autumn-winter 2020 collection brought old-school glamour fit for a modern-day dame. Learning that “Beaton, Bright Young Things” – a show of Cecil Beaton’s twenties and thirties portraits of dazzlingly glamorous socialites – is opening at the National Portrait Gallery (co-incidentally the label’s frequent show venue) in March meant that Erdem Moralioglu’s inspiration was right there. Some of his takings from Beaton were literal. Look one – a black slicker mackintosh – was directly in honor of a photo of the aesthete Stephen Tennant. And then there was a direct replication of the pearl-festooned flapper dress, look 30, “in which Beaton photographed himself,” said Moralioglu. Tissue lamé and silvery lace dresses ensued. There were also black and white checkerboard prints inspired by Beaton’s early backdrops; echoes of the celluloid frills and fancy-dress rose-strewn brocades; and a nod to the Pierrot pajama suit that was one of the photographer’s role-playing costumes. But if not knowing any of this, you can as well place this collection on the list of season’s best eveningwear. The lime-green, silk dress with subtle floral embroideries worn by Grace Bol is my ultimate favourite.

Collage by Edward Kanarecki.

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