Richard Quinn’s autumn-winter 2022 show celebrates the golden age of haute couture. “Dark couture”, as he calls it, has informed the collection which includes oversized vinyl hats, cocoon-shaped separates and majestic feather dresses. Accordingly, Quinn explored styles that were more synonymous with fashion in the 1950s and ’60s than today. But with Richard, it’s never all prim and saccharine. The voluminous and ultra-glamorous florals were contrasted with the entry of a latex-encased dominatrix leading a human dog on a leash. The balance of lady-like and kinky is the label’s key signature. This season, one of Quinn’s most intricate designs this season is an embroidered hooded dress. Upon closer inspection, you’ll see that it’s actually engulfed in tiny feathers. Consider it Quinn’s love letter to those who adore the vivaciousness of his technicolour evening gowns. “It’s essential that we offer our bespoke clients something special,” asserts Quinn. After-dark dresses have also been fashioned from beautiful silks and 3D embroidery. “Setting an almost impossible task, then making it happen is what drives the team and I,” he adds. Still, it seems to me that Quinn got stuck in a loop. The latest collection is pretty much the same thing we’ve seen in his previous seasons. The untamed glamour is highly Insta-grammable and impresses the eye, yes, but I think the designer should try out some different directions in the near future.
Collage by Edward Kanarecki.