Francesco Risso moved big topics in his spring-summer 2020 collection for Marni, but in his typical, poetic, metaphor-filled manner. A fishnet was hovering about the guests’ heads, full of plastic debris collected from the oceans and from waste. Called Act1, the show was a conscious approach to engage in a deeper conversation on ethical values and a sustainable fashion practice: “We are here today to confirm our position in the world and to move towards action,” said Risso. “Let’s be vocal about our beliefs.“The designer has been implementing sustainable thinking into the brand for the last few seasons, but this really was a statement that hopefully will bud into real consciousness at the Italian brand. Even though you could expect exhausted eco warriors walk down the runway, Risso sent down a line-up of looks that sparked joy. It was a marriage of Truman Capote and Ernesto Che Guevara, beauty and rebellion. Marni’s rebels wore fabulous, crazy ritual totem-hats, made by artist Shalva Nikvashvili outof stuff that could have been easily thrown away to the trash: scraps of paper, feathers, plastic, fur, leather. The clothes as well had sustainable origin, to some extent. They had a sense of carefreeness, but weren’t ridiculousor clown-ish. Safari suitsweresplashed with brushstrokes, and cashmere and alpacas were patchworked with plastic and brocades. It all blended into a rather non-chalantly elegant,layered wardrobethat would be the fitting uniform for the Truman and the Che in an ideallypeaceful, eco-utopia.But you know what? I can equally see those clothes being worn in real life.
Collage by Edward Kanarecki.